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When I say that was my favorite thing about the novel, that might be bit understatement, but it really is not a compliment. While I like Pynchon's writing style, his flair for colorful characters and dialogue, and the way he captures the pervading sense of dread and end-of-an-era-ness that surrounded LA after the (oft refrenced in the novel) Manson murders, the book felt about 100 pages too long and about 45 characters too big. The central noir mystery gets lost after a few chapters, so much so that I didn't even notice when it was solved at first, which happens maybe 2/3 of the way through the book. That mystery is of course replaced by a bigger one, but, you know what? Neither are that mysterious. The fun part of the book is watching PI Larry "Doc" Sportello wander around the South Bay in a pot haze, dodging or failing to dodge the various people who wish him ill or want something from him. But after a while, it starts to feel as if Pynchon had a list of his infamously silly and descriptive names and refused to finish the book before he managed to use every single one of them (some favorites include Sauncho Smilax, Riggs Warbling, Bigfoot Bjornsen, and Vincent Indelicato). Mostly I was ready to be done with the book long before I was, and that's never a good sign.
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