Should've called it Murder Island.

Ahoy mateys!

If ye desire a tale filled with drunken men trying to kill a young boy, sail no further...you've come to the right place.

Pour out a glass o' rum, toast yer finest cheese and settle back for a ripping good yarn filled with child-abuse, disfigurement, and murder.

Yarrr...they don't make like they used to.

Find the Hidden Message...

Ahhhhhh!

Now here's a case of right-place, write-time; this book hit me at the perfect moment...a late summer fog of hazy rock 'n roll memories, mounting paranoia and unease and vaporized thc.

Doc's adventures through greater lala-land (and his brief journey to los(a disorienting vortex on which the book hinges)vegas) are filled with puns and songs and drugs and sexy ladies and strange villains and golden fangs.

Yum.

Everything gets pretty hard to follow.

As it should be--detective novels should never make perfect sense the first time through...can't wait to take this trip again.

Thomas pynchon rocks me like a hurricane.

So.

Let's leave it here for now.

Slide into the surf, burn one down, find a piece of lemuria.

Damn.

Eleven steps to enlightenment

This summer I read all 11 volumes of the Sandman series. There is no possible way to sum up the magnitude of this work. Gaiman's sprawling genius taps into classic mythology, comix, Shakespeare, movies, novels, superheros, detectives, zombies and more.

It is without a doubt one of the best things I have ever read. Ever.

Of all the images and themes in this epic work, nothing resonated with me as deeply as Forgiveness. We all must learn to forgive, to move on, to grow. We change, or we die, or both. But forgiveness is key...it is the passageway to personal evolution.

So. To any with whom I've exchanged a foul word, to old flames flickered out, to bullies and bosses and loonies on the street: I forgive you. I love you. And I'll see you in my dreams.

Where have 8 years gone???

I got to work an hour early today so I took a nice stroll over to the library to kill some time. I went to the comics section and stumbled across this monster of a book.

It sits funny on a shelf...the physical dimensions of the thing are awkward, jutting out noisily from the Essential Hulk and Spiderman, overpowering the busted up Watchman and thumbed-through Books of Magic. This cardboard monstrosity is about 30 pages long...but man...any more would be too devestating to handle.

In the Shadow of No Towers is the best possible tribute to the instant in time in which everything fucking fell to shit, the moment we gazed into cavernous gaping trough of fecal patriotism and dove in face first, screaming all the way. The paranoid wonderworld created by Spiegelman encapsulates the terror and the wonder of 9/11 within the confines of a newsprint dreamscape...a long lost Little Nemo traversing a nightmare of blood and patriotism.

This thing shook me--I'll never forget.

At work Andy had an conversation with a little boy who was afraid of terrorists. What alert are we at? Orange...Red...Pink...Puke? Will an Iraqi come at me with a bomb screaming Yiyiyiyiyiyiyiyiyiyi!?!?! Will I dream of terrorists and fall out of bed screaming only to be coddled back to sleep by a brainwashed hate spewing Mother?

Fuck you Bush. I'll never forget.

The Opposite of Twilight

I can neither explain why nor actually how much I loved this book, but I do know it was my first experience as a reader in a long time where I had to fight to put it down...where I stayed up later than I wanted to or woke up early to keep reading (though I did read it all in 36 hours, so that may be a bit hyperbolic). While I don't love it the same (or even as much, necessarily) as a David Mitchell or Murakami, it is an entirely different beast (first of many intended puns) and can share shelf space with them in my heart-library any day.

In a nutshell, this book is a noir, set in Los Angeles, that is about werewolves and written in blank verse. Go ahead and read that sentence again. A werewolf-noir-epic poem. These werewolves are neither mopy nor gargantuan and beastly (so they are neither of the Twilight nor Gothic/Victorian variety). They are lycanthropes in the mythological sense, men who can turn into beasts at will. The beasts are closer to dogs, usually, than wolves, though they are huge, vicious, and above all, sentient and intelligent dogs. They can rip a man to shreds, or they can plot huge schemes while you scratch their ears in your home. It's also a love story about a dogcatcher and a female lycanthrope, known only as "She" (and their love is of the human-human variety, not the human-female dog variety), who is the lone female for the pack the story begins by following (apparently Barlow's inspiration was in part an article about a dogcatcher in the Chicago Reader that revealed that packs of wild dogs usually are comprised of many males and one female).

Barlow immerses you into a world that is similar but not like your own, a world of drug dealers and dog fighters and surfers, and a world where packs of man/dogs are organized like gangs or like country clubs or like hedge fund firms. Where some are ruled by sex and some by love and some by a zen like philosophy of abstention. Where revenge comes to many but where innocents are felled as well, and some are left behind to mourn. His writing (and remember its in blank verse) can follow many perspectives at once, can be in turns brutal and charged, and beautiful and sad, and funny and true. I don't know if everyone will react like I did (in reviews it seems most reviewers think this book will be clasped to the bosoms of generations of teenage goths and outsiders, an idea that made me more than a little suspicious) but I think its worth it to try. It is, after all, about fucking werewolves.

I Like to Think I Am a Young Adult

Towards the end of Shakespeare Wrote For Money, Hornby channels Sarah Sullivan and goes on a big YA fiction kick (YA being Young Adult, the home of Rowling, Pearce, Lewis, etc.). The two he talks most about are David Almond's Skellig (his favorite) and Toby Barlow's Sharp Teeth. I ordered them both, to see what the fuss was about, and after finishing Skellig I felt like maybe I missed something, and this would be another brief joint post. It won't be, but more on that later.

Skellig is good. It's not great, though it has some great parts, and its not bad, though it leaves (for me) a lot to be desired. I'm not sure what this book would have done for me as a "Young Adult" because, the way it is written, it would have felt small even when I was 13. It's told in the first person by a young boy, Michael, in England, who moves with his parents who spend most of their time driving to and from the hospital where their newborn daughter is probably dying. Michael, while trying to amuse himself and cope, finds an old man barely surviving in his new garage. With the help of his new friend, Mina, they nurse the man back to health, to find that he is probably (and this is not a spoiler, look at that cover) an angel. The book is about being young and changing and coping with things that no one should ever have to cope with, least of all 13 year old boys. But it is short, and written in huge print with short sentences, and while there are a couple of sweet, simple passages that brought tears to my eyes, it also never feels totally gripping or engaging, it feels too slight. But I am sure there are those among you (Julie) who would love it as much as Hornby did. As for my love, its coming up next.

Perfect 10

So, the new book (the first volume of what was supposed to be the final 12th book, but now is the first of the final three so i guess there will be 14, and the first by Brandon something who took over for Jordan after his death last summer) comes out October 27. I would love to say it will be my last book, finished for number 50 on nov 1, but I can't imagine i will be able to read it in 4 days (they are roughly 800 pages usually) nor that I will reach the magic 50. there, i said it. But, that means ihave only one book left to be ready for it. And that I will have read the full cycle again in a year. go me.